Christmas Music Countdown: Ding Dong! Merrily On High

Ding Dong! Merrily On High

 

Ding Dong! Merrily On High

“Ding Dong Merrily on High” first appeared as a secular dance tune known as “le branle de l’Official” in a dance book written by Jehan Tabourot (1519–1593). The lyrics are from English composer George Ratcliffe Woodward (1848–1934), and it was first published in 1924 in his The Cambridge Carol-Book: Being Fifty-two Songs for Christmas, Easter, And Other Seasons. Woodward had an interest in church bell ringing, which no doubt helped inspire this carol

Ding dong! merrily on high
In heav’n the bells are ringing:
Ding dong! verily the sky
Is riv’n with Angel singing.
REFRAIN

Gloria,
Hosanna in excelsis!
Gloria,
Hosanna in excelsis!
E’en so here below, below,
Let steeple bells be swungen,
And “Io, io, io!”
By priest and people sungen.
REFRAIN

Pray you, dutifully prime
Your matin chime, ye ringers;
May you beautifully rime
Your evetime song, ye singers.
REFRAIN

Note: “Swungen” and “Sungen” in the second verse are archaic English verb forms.


 

“Christmastime,” a stirring and melodious anthem, is the brainchild of the acclaimed Michael W. Smith, whose creative prowess in composing is well-known. The piece was masterfully arranged by the talented Joseph M. Martin, adding layers of depth and harmony to the original composition.

This anthem, a tapestry of festive melodies, notably includes the jubilant notes of “Ding Dong Merrily on High,” adding a classic touch to its contemporary vibrance. It was selected as the Offertory at Pender United Methodist Church (UMC) on the memorable day of December 12, 2021, marking a special moment in the church’s musical calendar.

The performance of “Christmastime” was brought to life by the combined talents of the Pender Sanctuary Choir and the Joy Ringers, an ensemble known for their harmonious and spirited renditions. The piano accompaniment, gracefully executed by Liz Eunji-Sellers, added an exquisite layer of musical richness to the performance. Under the skilled direction of Brian Stevenson, the choir and musicians synergized to create an atmosphere filled with the spirit and joy of the holiday season.

This rendition of “Christmastime” was not just a performance; it was a festive celebration, an auditory feast that encapsulated the essence of Christmas joy and community spirit. It stands as a testament to the power of music in bringing people together and creating moments of beauty and reverence during the most wonderful time of the year.

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